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Laura Williams dropped us an email to tell us about her interview in DPI magazine this month. Based in Taiwan, DPI is devoted to cutting edge illustration, design, gaming and toy industry culture worldwide. Laura loved their soft-pedal interview approach which included questions like, “Do you like to illustrate still objects? Why? Or you want to make a quiet atmosphere in your works?” And who among us wouldn’t be delighted to work with an editor whose signature file reads: “Because of you, I like my job! When I can contact you, it makes me traveling around the world everyday”.

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Bryan was the 3D Design Lead for 5 years at Big Idea Productions, the producers of the VeggieTales children's videos. Bryan is also a professor of Digital Media Arts at Huntington University in Indiana. He co-authored children’s book The Great Cheese Squeeze, a children's book with his buddy Keith Lango.

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Allen’s crisp wit is prized by editorial clients worldwide, from Reader’s Digest/Germany, to The Guardian/UK, to the New York Times/USA. His most recent work has begun to incorporate intricately detailed background textures butressing his precise draftsmanship, no doubt made easier by the computer’s use. His harmoniously muted palette telegraphs a quiet sophistication.

Aaron Leighton grew up in a small town on the Canadian prairies but was drawn to the chaos and colour of urban life in the big city. “I still enjoy the fact that despite what my grade 11 algebra teacher said, doodling in class did indeed pay off.” Combining a love of line with a fondness for tribal artwork, cartoons, anthropomorphic objects and bugs, his work is both weird and wonderful.

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Eicker does crisp, elegant vector illustrations. They’re driven by a whimsical cartoon handling glowing with vibrant colors. His stylistic flourishes & clever turns manage to pull out the essentials of both his characters and the situations they find themselves in. We like!

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The following article presents the very latest information on wrought iron patio sets. If you have a particular interest in wrought iron patio sets, then this informative article is required reading.

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There’s no doubt that realistic fantasy illustrator Allen Douglas has photographic control over his medium. One of the surprise joys in his paintings is his uncanny ability to make his fairy tale subjects simultaneously dark and elegantly quirky. His work’s been recognized by the Society of Illustrators (New York), Spectrum - The Best in Contemporary Fantasic Art, Step-By-Step Graphics, the Society of Illustrators of Los Angeles, and RSVP. He currently teaches at the Rochester Institute of Technology.

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Mussche’s multi-planar vector linework is all aces! His editorial spots can be seen weekly in Dutch national newspaper 'de Volkskrant' , as well as publications in corporate magazines of Microsoft and the Dutch national bank.

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Anne Lukas, three dimensional cartoonist, inhabits a wildly creative and weirdly funny world. She uses a combination of materials and skills including digital photography and polymer clay to develop her wacky creature illustrations. Her unique style has developed as a result of experimenting in many mediums. Anne began her career as graphic designer working both in-house and freelance. She's a member of the Society of Children's Book Writers and Illustrators and the Washington DC Illustrator's Club.

London illustrator & designer Anne Smith crafts a sophisticated, richly colored, idiosyncratic, lovingly detailed, graphic gouache style- often incorporating painted type. Her work can be found in the collections of Museum of Fine Arts, Boston, Smithsonian Institution, Washington D.C., Int’l Museum of Ceramic Art, Alfred N.Y., KPMG London, Boston Public Library, General Electric Co., Fidelity Investments, Boston, and het Museum voor Hedendaagse Kunst, the Netherlands. She’s been honored in Communication Arts, AR100’s “Best Illustrated Annual Reports,” and received fellowships from National Endowment for the Arts and the Massachusetts Artist Fellowship.

Anni Betts works in a rich and detailed manner with a clear love of color and line. “I draw my inspiration from many sources, including Art Nouveau posters, the Arts and Crafts movement, Renaissance painting, technical drawing, theater costumes and sets, and the culture of other countries.” Her designer background gives Betts a strong window into what illustration clients are after.

Author Kenneth A. Tabler rose from a poor, sleepy milltown in West Virginia and propelled himself to a PhD and a high profile career with that newly invented thing called "the computer." This book reads folksy without being sentimental about the very real people it depicts struggling to live through the Depression and its aftermath.

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Yes, there are artists who work, successfully, in that “mock airline safety card” style. Colin Hayes has been getting the job done since 1993. “I'd like to be remembered as someone who didn't take himself too seriously. Someone who enjoyed life and his family, and continued to learn during the entire journey. Someone who stood up for his beliefs while understanding that, in the long run, some things were actually important and some weren't...and knowing which was which.”

Infographics can fasten the truth upon the ordinary mind, and Philpot’s take on how things fit together makes you stop, look and appreciate his graceful explanations. No muddled structures here: his lines are sure & clear, backed by well planned concepts.

The usual cute & cuddly animals? Hardly. Jennifer Taylor's are wonderfully weird & remote. Her muted palette cleverly masks her use of photographic elements in her whimsical tableaus.

Lifestyle vector art that breathes. Kendall’s work is suffused with omni-directional light --- you can almost feel the warm summer breezes blowing past as you view her illustrations. Her characters inhabit some delightful Shangri-La full of pools, martinis, shopping and hot dates!

Matthew Woodson’s comics and illustrations are sometimes stark, sometimes poetic, but always spare, with a noir touch. Woodson renders his images with careful skill and detail. Not surprising for someone who started drawing comics AND scientific illustrations at the same time (he’s got a background in biology). His linework is elegantly set off by his restrained use of just a few tones of gray or muted color. In just over a year as a professional illustrator, this 23-year old emerging artist has established himself as a force to be reckoned with.

Tamaye refined her type-driven illustrations working as associate art director at Entertainment Weekly in charge of designing cover stories. Her elegant type treatments balance with bold, sophisticated graphics to complete the statement.

Daberko illustrates in a range styles, from clean vector lines and shapes, to a detailed approach with painterly color and texture. Her work exudes passion, enthusiasm and ideas that have clearly breathed new life into marketing, advertising and branding campaigns she’s been involved with.

Julia Wolff is best known as the illustrator of the opening books for the movies Shrek and Shrek 2. Her most recently illustrated book is “The Bubble Gum Kid”, which released last August. She still cannot blow a bubble. Julia was born in London and now lives in LA where she works for Dreamworks.

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Beppe Giacobbe’s completely charming illustrations for Susan Campbell Bartoletti’s “Nobody’s Diggier Than a Dog” earned him the Gold Medal in 3x3 Magazine’s first annual Children’s Book competition held this past year. Beppe was kind enough to share both finished spreads from the book as well as some of his sketches in their rawest and most elementally canine form.

Ben Weeks explores the world and his imagination by creating intelligent, playful pictures. “There's an innate human need for a sense of value. I think everyone has hidden treasures inside and inspiring them about their own potential is what I'd like to think my work is ultimately about. We emit our subconsciousness if we intend to or not. Art is a trigger for experience. Make the invisible visible. " Ben’s illustrations are recognized internationally by: The Art Director's Club of New York, American Illustration, Prospects, Juxtapoz, Applied Arts, the Association of Illustrators, Creativity, Coupe, Graphis and the D&AD.

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Look for pop art and Japanese print influences in Blair Kelly’s traditional linocuts. His work also nods towards 1950’s design sensibilities (he’s converted a 50’s TV to a bookcase which holds favorite art & design books in his studio).

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You’ve seen Caitlin Kuhwald’s work around this year. She illustrated a portrait of Al Franken for the Utne Reader, and that led to two commissions from The Progressive to paint Howard Dean and Michael Moore. “I love how much drawing is going on right now,” she says. “It is so nice to see that. Work on paper that is really simple and has a lot of space. I love the graphic quality of having something really worked out and really detailed and then having a lot of space that is really open around it. The most fun that I have when I work is drawing hands and faces. It is frustrating to draw fur.”

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Azadeh has found quite a niche illustrating author Clea Hantman’s “I wanna” craft series for Simon & Schuster’s Young Readers. Her work clearly engages today’s tween sensibility. Recent commissions include the design of sporty t-shirts which made their national debut in Target stores.

“I like to look at Henri Rousseau, Japanese prints and textiles, Joseph Cornell, old postage stamps. Being out in nature inspires me more than anything, but that takes some planning, since I live in Chicago. I often have good ideas when dreaming, but with two young children, I don't sleep nearly as much as I used to, so that source has kind of dried up for a while!”

Claire Louise Milne exhibits great skill at illustrating children and adults from all cultures, realistic animals and whimsical animal characters. Her watercolour illustrations are done in a warm, colourful style which clearly appeals to children. She has illustrated educational children's books for clients such as Bebop Books and Macmillan/McGraw-Hill in the United States, Harcourt in Canada and Happy House in South Korea.

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Chris Lane’s inks and watercolors successfully achieve whimsical satire as well as grim scenes of despair, all the while maintaining an engaging, quirky quality. He drinks a lot of coffee, eats a lot of pancakes, and is an outspoken penguin enthusiast. Chris is currently gearing up from world wide domination and would like to make it clear that all who oppose him will be crushed. Lane graduated in 2005 from the California College of Arts and Crafts with a BFA in illustration. He has shown work in such bay area collectives as the Nexus Gallery, RPS Collective, LoBot Gallery, and Ego Park. He’s worked for such clients as The Seattle Metropolitan , The Pasadena Weekly , Kitchen Sink Magazine , The Philidelphia Enquirer , Nexus Gallery , Mamma Buzz Gallery , LoBot Gallery , Rock Paper Scissors , ABCo Gallery.

Tomcyzk’s work has a glowing transluscence, as though the pieces were backlit. She loves the visual trick of the eye, often weaving background and foreground together. The airbrushed quality of these pieces sets them apart from the avalanche of flat vector art so common today.

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Award-winning 3D polymer clay illustrations that are charmingly honest, with heart that's certainly not easy to find. Paula’s limber, fluid characters dance!

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Dan is currently collaborating with writer/journalist Anthony Lappé on the dystopian satire SHOOTING WAR, a hardcover graphic novel to be published by Warner Books in Fall 2007. "The world seems to run on cotton candy and layers of endless illusion/delusion. So creating palpable works that mean something truly serves the common good of upping the desire, and ultimately the demand, for real culture.” ---Ad Age interview / Nov 5, 2006.

You may not know his name - yet - but he's a prolific artist and comics creator poised to unleash several large projects into the medium. Shaw’s quiet and unassuming nature belies the raw and exposed persona of his work ... whether a story about a zombie romance or a flood caused by the tears of a distressed anthropomorphic banana. “I'm not like Crumb, who's constantly drawing on a napkin wherever he goes. I do figure drawings, but I spend more time thinking about comics, the design and everything, more than the actual hand-drawing time.” Alternative Comics just released his newest collection of stories, "The Mother's Mouth."

Nightmares of urban apocalypse and fevered dreams must drive artist Dave Curd. “I’ve never been a big fan of obvious solutions, so I go out of my way to produce work that tells the story in an exciting, unexpected way.”

Barneda's rich artwork employs fun and engaging concepts in a wonderfully weird way. The final childlike view is charming. His work has been recognized by Print, CMYK, Binney & Smith, the Society of Illustrators of Los Angeles, and the Society of Illustrator’s ILLUSTRATORS 48.

Toronto-based Mayzis is one to watch. Fresh out of Ontario College of Art and Design, he’s already done work for clients such as Extra Tasty Clothing in Australia and Mega64. He specializes in satirical editorial illustrations geared towards entertainment, particularly celebrity portraits and music. He is currently pulling together a catalogue and website for Pantheon Clothing in Sydney, Australia.

“Gone Wild: An Endangered Animal Alphabet,” a black-and-white alphabet book, melds animals and letters into 26 unique and elegant graphic images. It’s sophisticated enough to captivate readers of any age. Each page includes a small, stylized red-and-white image of the animal plus information about its class, habitat, range, and threats to its survival.

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Make a real difference in children's lives, in your own home town. It's easy. When you donate a car, truck, van, SUV, boat, or RV, you make it happen. Every car donation becomes a way to improve the lives and wellbeing of these children.

Donate your car for charity and make a diffrence for the underprivileged and needy children in your community. By donating your Car you can can make a huge impact on the lives of children in need of basics such as food, clothing, shelter, school supplies and perhaps most important, safety.

“To be successful as an illustrator today,” says Doug Bowles, “you have to make work that can't be produced any other way.” Bowles graduated from the Columbus College of Art and Design in 1983, and since then has created images for several different clients for a variety of uses: books, postcards, posters, packages, in-store displays. Bowles' mixed-media paint and pastel images appear on everything from packages for Symantec's Internet Fast Find software to the Missouri Lottery's Lucky Dog scratch-off tickets. His book work includes the cover for ‘Bondage,’ a novel by Ronald Reagan's daughter Patti Davis, and ‘The Slightly Scary Halloween Flap Book,’ a children's book. Bowles won the Kansas Reading Association 2006-2007 Bill Martin, Jr. Picture Book Award for his ‘S is for Sunflower’ childrens book.

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Fotheringham made his name using this blotted line-style from Andy Warhol's pre-pop advertising days--that is, before the advent of irony's pervasive heyday. His work represents both the opposite of the aggressive, appropriated, cut-up poster look of the '70s and its logical conclusion: self-conscious, clean, somehow both inevitable and new.

When Fortune Magazine turned to Lara Tomlin to create two portraits in her edgy style for their annual European and Asian editions, they broke ground twice. Lara’s medium, etching, is an art and science seldom used in illustration, particularly portraiture. And according to the art director, Lara is the first woman ever tapped for this assignment.

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Enlaces de Seducción: Miedo a Abordar, el blog de Robert Greene y más...

Enlaces de Seducción: Miedo a Abordar, el blog de Robert Greene y más...